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Thames&Hudson Unretouched Women. Eve Arnold, Abigail Heyman, Susan Meiselas Bouveresse Clara

Thames&Hudson Unretouched Women. Eve Arnold, Abigail Heyman, Susan Meiselas Bouveresse Clara

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As feminism gained momentum in 1970s America, three photographers Abigail Heyman, Eve Arnold and Susan Meiselas published massively influential photobooks informed by the movement. The first, Heyman's Growing Up Female (1974), is a kind of feminist diary: the photographer casts a lucid eye at her own life and questions the imprisonment of women in stereotype roles. The second, Eve Arnold's "The Unretouched Woman" (1976), shows unknown women and celebrities in spontaneous everyday moments. The photos were deliberately not retouched or staged and offer a nuanced vision of women far from the glamor of glossy magazines. The third, Susan Meiselas Carnival Strippers (also 1976), is the fruit of three years of investigation into fairground striptease sideshows in the Northeastern United States подробнее
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One Saturday evening, sisters Pip and Maisie are sitting in the warm snug of their grandparent's cottage on the edge of a forest in Scotland. Maisie is restless and longs for adventure, but life at the cottage is always slow. When a bright light suddenly falls from the sky into the forest next door, Maisie can't believe her luck - finally an adventure has come her way! She has boots on and torch in hand before Pip has even put down her hot chocolate • Maisie is desperate to discover the special something as quickly as she can. As the two sisters journey through the dark forest towards the gradually receding light, her imagination runs riot - perhaps it's space treasure, gold dust, or maybe even a creature from outer space! Pip, meanwhile, takes in the dark shapes and strange sounds around her, tentatively adjusting to the forest and its wild inhabitants
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Unperson is one of the first photo books of North Korean Defectors. The 15 intimate portraits and the stories of the brave people who decided to take that chance to flee to South Korea. The road to South Korea is dangerous and can take years with the many different borders of Mongolia, Laos, Thailand, and China. The people fleeing are filled with the fear of being arrested and sent back to labour camps. Once they arrive in South Korea, they often struggle to find a new identity, lost between their North Korean past and South Korean future. Tim Franco travelled to the crossing points, aiming to capture the diversity of landscape that is the background of North Korean defection. He chose to use an 8x10 camera with Polaroid film to capture each defector
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