Fitzcarraldo Editions I Remain in Darkness Эрно Анни

In her brilliantly inventive debut collection, Vanessa Onwuemezi takes readers on a surreal and haunting journey through a landscape on the edge of time. At the border with another world, a line of people wait for the gates to open; on the floor of a lonely room, a Born Winner runs through his life’s achievements and losses; in a suburban garden, a man witnesses a murder that pushes him out into the community. Struggling to realize the human ideals of love and freedom, the characters of Dark Neighbourhood roam instead the depths of alienation, loss and shame. With a detached eye and hallucinatory vision, they observe the worlds around them as the line between dream and reality dissolves and they themselves begin to fragment. Electrifying and heady, and written with a masterful lyrical precision, Dark Neighbourhood heralds the arrival of a strikingly original new voice in fiction

In May and September 1976, two earthquakes ripped through north-eastern Italy, causing severe damage to the landscape and its population. About a thousand people died under the rubble, tens of thousands were left without shelter, and many ended up leaving their homes in Friuli forever • The displacement of material as a result of the earthquakes was enormous. New terrain was formed that reflects the force of the catastrophe and captures the fundamentals of natural history. But it is far more difficult to find expression for the human trauma, the experience of an abruptly shattered existence • In Rombo, Esther Kinsky’s sublime new novel, seven inhabitants of a remote mountain village talk about their lives, which have been deeply impacted by the earthquake that has left marks they are slowly learning to name

In the mountainous city of Nevers, there lives a professor of literature called Q. He has a dull marriage and a lacklustre career, but also a scrumptious collection of antique dolls locked away in his cupboard. And soon Q lands his crowning acquisition: a music box ballerina named Aliss who tantalizingly springs to life. Guided by his mysterious friend Owlish and inspired by an inexplicably familiar painting, Q embarks on an all-consuming love affair with Aliss, oblivious to the sinister forces encroaching on his city and the protests spreading across the university that have left his classrooms all but empty. Thrumming with secrets and shape-shifting geographies, Dorothy Tse’s extraordinary debut novel is a boldly inventive exploration of life under repressive conditions

Getting Lost is the diary kept by Annie Ernaux during the year and a half she had a secret love affair with a younger, married man, an attache to the Soviet embassy in Paris. Her novel, Simple Passion, was based on this affair, but here her writing is immediate and unfiltered. In these diaries it is 1989 and Annie is divorced with two grown sons, living in the suburbs of Paris and nearing fifty. Her lover escapes the city to see her there and Ernaux seems to survive only in expectation of these encounters. She cannot write, she trudges distractedly through her various other commitments in the world, she awaits his next call; she lives merely to feel desire and for the next rendezvous. When he is gone and the moment of desire has faded, she feels that she is a step closer to death

‘I too wanted to forget that girl. Really forget her, that is, stop yearning to write about her. Stop thinking that I have to write about this girl and her desire and madness, her idiocy and pride, her hunger and her blood that ceased to flow. I have never managed to do so.’ In A Girl’s Story, her latest book, Annie Ernaux revisits the summer of 1958, spent working as a holiday camp instructor in Normandy, and recounts the first night she spent with a man. When he moves on, she realizes she has submitted her will to his and finds that she is a slave without a master. Now, sixty years later, she finds she can obliterate the intervening years and return to consider this young woman whom she wanted to forget completely. In writing A Girl’s Story, which brings to life her indelible memories of that summer, Ernaux discovers that here was the vital, violent and dolorous origin of her writing life, built out of shame, violence and betrayal

Annie Ernaux’s father died exactly two months after she passed her exams for a teaching certificate. Barely educated and valued since childhood strictly for his labour, Ernaux’s father had grown into a hard, practical man who showed his family little affection. Narrating his slow ascent towards material comfort, Ernaux’s cold observation in A Man’s Place reveals the shame that haunted her father throughout his life. She scrutinizes the importance he attributed to manners and language that came so unnaturally to him as he struggled to provide for his family with a grocery store and cafe in rural France. Over the course of the book, Ernaux grows up to become the uncompromising observer now familiar to the world, while her father matures into old age with a staid appreciation for life as it is and for a daughter he cautiously, even reluctantly admires

Considered by many to be the iconic French memoirist’s defining work, The Years is a narrative of the period 1941 to 2006 told through the lens of memory, impressions past and present, cultural habits, language, photos, books, songs, radio, television, advertising and news headlines. Annie Ernaux invents a form that is subjective and impersonal, private and collective, and a new genre – the collective autobiography – in order to capture the passing of time. At the confluence of autofiction and sociology, The Years is ‘a Remembrance of Things Past for our age of media domination and consumerism’ (New York Times), a monumental account of twentieth-century French history as refracted through the life of one woman

Surreal, ambitious and exquisitely conceived, The Doll's Alphabet is a collection of stories in the tradition of Angela Carter and Margaret Atwood. Dolls, sewing machines, tinned foods, mirrors, malfunctioning bodies – many images recur in stories that are in turn child-like and naive, grotesque and very dark. In ‘Unstitching’, a feminist revolution takes place. In ‘Waxy’, a factory worker fights to keep hold of her Man in a society where it is frowned upon to be Manless. In ‘Agata's Machine’, two schoolgirls conjure a Pierrot and an angel in a dank attic room. In ‘Notes from a Spider’, a half-man, half-spider finds love in a great European city. By constantly reinventing ways to engage with her obsessions and motifs, Camilla Grudova has come up with a method for storytelling that is highly imaginative, incredibly original, and absolutely discomfiting

With Drive Your Plow Over the Bones of the Dead, Man Booker International Prize-winner Olga Tokarczuk returns with a subversive, entertaining noir novel. In a remote Polish village, Janina Duszejko, an eccentric woman in her sixties, recounts the events surrounding the disappearance of her two dogs. She is reclusive, preferring the company of animals to people; she’s unconventional, believing in the stars; and she is fond of the poetry of William Blake, from whose work the title of the book is taken. When members of a local hunting club are found murdered, Duszejko becomes involved in the investigation. By no means a conventional crime story, this existential thriller by ‘one of Europe’s major humanist writers’ (Guardian) offers thought-provoking ideas on our perceptions of madness, injustice against marginalized people, animal rights, the hypocrisy of traditional religion, belief in predestination – and caused a genuine political uproar in Tokarczuk’s native Poland

One of the boldest voices of his generation, Joshua Cohen returns with Moving Kings, a propulsive, incendiary novel that interweaves, in profoundly intimate terms, the housing crisis in America’s poor black and Hispanic neighborhoods with the world’s oldest conflict, in the Middle East • The year is 2015, and twenty-one-year-olds Yoav and Uri, veterans of the last Gaza War, have just completed their compulsory military service in the Israel Defense Forces. In keeping with national tradition, they take a year off for rest, recovery, and travel. They come to New York City and begin working for Yoav’s distant cousin David King – a proud American patriot, Republican, and Jew, and the recently divorced proprietor of King’s Moving Inc., a heavyweight in the Tri-State area’s moving and storage industries

Flights, a novel about travel in the twenty-first century and human anatomy, is Olga Tokarczuk’s most ambitious to date. It interweaves travel narratives and reflections on travel with an in-depth exploration of the human body, broaching life, death, motion, and migration. From the seventeenth century, we have the story of the Dutch anatomist Philip Verheyen, who dissected and drew pictures of his own amputated leg. From the eighteenth century, we have the story of a North African-born slave turned Austrian courtier stuffed and put on display after his death. In the nineteenth century, we follow Chopin’s heart as it makes the covert journey from Paris to Warsaw. In the present we have the trials of a wife accompanying her much older husband as he teaches a course on a cruise ship in the Greek islands, and the harrowing story of a young husband whose wife and child mysteriously vanish on a holiday on a Croatian island

International Booker-longlisted author Clemens Meyer returns with Dark Satellites, a striking collection of stories about marginal characters in contemporary Germany. A train driver’s life is upended when he hits a laughing man on the tracks on his night shift; a lonely train cleaner makes friends with a hairdresser in the train station bar; and a young man, unable to return to his home after a break-in, wanders the city in a state of increasing unrest. From the home to places of work, Meyer transforms the territories of our everyday lives into sites of rupture and connection. Unsentimental and yet deeply moving, Dark Satellites is a collection of stories from our time, as dark as the world, as beautiful as the brightest of hopes