Everyman The Autobiography of an Ex-Colored Man Johnson James Weldon

Benvenuto Cellini is an artist-craftsman, one of the greatest sculptors in the renaissance, passionately devoted to art, the worshipper and frequenter of the great men of his time, the 'divine' Michelangelo, who came to his studio, the 'marvellous' Titian (the adjectives are Cellini's ). He loathed the sculptor Torregiano because he had broken Michelangelo's nose.His autobiography gives a quite extraordinarily vivid account of daily life in Renaissance Florence and Rome, its studios, its taverns, its violence, his loves, the kings, cardinals and popes who commission his works. At 27 he helps direct the defence of the castello San Angelo; his account of his imprisonment there under a mad castellan (who thought he was a bat), his escape by an improvised rope, his recapture, his confinement in 'a cell of tarantulas and venomous worms' is a chapter of adventure equal to any in fact or fiction

I propose to open my mind as wide as possible to allow my readers the first ever glimpse at South Central from my side of the gun, street, fence and wall • After pumping eight blasts from a sawed-off shotgun at a group of rival gang members, twelve-year-old Kody Scott was initiated into the L.A. gang the Crips. He quickly matured into one of the most formidable Crip combat soldiers, earning the name ‘Monster’ for committing acts of brutality and violence that repulsed even his fellow gang members. When the inevitable jail term confined him to a maximum-security cell, a complete political and personal transformation followed: from Monster to Sanyika Shakur, Black nationalist, member of the New Afrikan Independence Movement and crusader against the causes of gangsterism

It is the autobiography of Giorgio Bassani, told in a time span of around 15 years, a time where the ambiguous and mysterious female figure of Micol was a central part of his life. They live in a time where racial laws are being passed by fascist Italy and as a result Micol and her family open the gates of their huge mansion and even bigger garden to a handful of jeweish friends that have been banned from any recreational activity. In this garden Micol guides the narrating "I" figure through the interior journey in search of his identity and maturity. Unfortunately this journey of truth can only end but in the sourest way; the rejection of a deep love felt by the author for Micol, his spiritual guide

The nearest Wodehouse ever came to a serious story, The Coming of Bill is a fascinating blend of social comment and light comedy. It concerns the offspring of Ruth, a spoilt heiress, and Kirk, an impecunious artist of perfect physique, brought together by Ruth’s aunt, a believer in eugenics. The young couple are eventually successful in retrieving their child and their marriage from the influence of the overbearing Mrs Porter, but only after a series of comic mishaps in a book which features a galaxy of vintage Wodehouse characters, including the bossy aunt, a tetchy millionaire, a good-natured ex-boxer and an orotund English butler

The Adventures of Sally is a transatlantic comedy set in worlds Wodehouse knew well: American theatres, English country houses, and the theatrical boarding-houses where young men and women dream of finding fame and fortune. Coming into a modest inheritance, one of these young women, Sally, is able to leave her boarding-house at last, and looks forward to a quiet life in a small apartment. Instead, she finds herself swept up in a series of adventures with her ambitious brother and her playwright fiance, along with an accident-prone, dog-loving Englishman she meets on a French beach and his supercilious cousin, who pursue her across the Atlantic. While losing most of her inheritance backing a play, she sheds the unsatisfactory fiance, rejects the supercilious cousin, falls in love with the accident-prone Englishman, and finds happiness in a kennel on Long Island

The language of flowers is as old as language itself. In the earliest poetry familiar plants were used to represent simple emotions, ideas, or states of mind: love, hope, despair, fidelity, solitude, beauty, mortality. Over time these associations entwined with myth and legend, with religious symbolism, folk and herbal lore. By the early 19th century the 'Language of Flora' had become increasingly refined, especially in England and America, where sentimental flower books listing flower meanings and illustrating them with verse were perennial bestsellers • The Everyman Language of Flowers without sacrificing the charm of its Victorian predecessors aims to provide extended, updated and rather more robust floral anthology for the 21st century, presenting poetry from ancient Greece to contemporary Britain and America, and spanning the world from Cuba to Korea, Russia to Zimbabwe

The Custom of the Country is probably Edith Wharton's most savage satire on the manners of late nineteenth-century America. It is the story of the exquisitely beautiful but brutally ambitious Undine Spragg who marries her way into the high aristocracy of Europe, abandoning several husbands along the way. This novel, which has scences of comedy and even farce, is a commentary on both certain aspects of feminisim and certain aspects of capitalism in Edith Wharton's time. The novel makes a fitting companion to The Age of Innocence and The House of Mirth and shows Wharton to be one of the greatest American novelists

The Art of Angling offers a bountiful catch of poems from around the world and through the ages on every aspect of the popular sport. Fishing has inspired a wealth of poetry – Tang Dynasty meditations; Japanese haiku; medieval rhymes; classic verses by Homer and Shakespeare; poems by Donne, Goethe, Tennyson and Yeats; modern masterpieces by Federico Garcia Lorca, Elizabeth Bishop, Ted Hughes, Robert Lowell, Raymond Carver, Margaret Atwood, Audre Lorde, Richard Hugo and Derek Walcott. In the hands of the poets collected here, fishing with a hook and line yields reflections both sparklingly light and awe-inspiringly deep. Filled with humour, nostalgia, adventure, celebrations of the beauties of nature and metaphors for the art of living, The Art of Angling is sure to lure anglers and lovers of poetry alike

Possibly the most colourful figure in the history of Western music, Hector Berlioz (1803–1869) was certainly the most eloquent. His autobiography is among the greatest ever written. Larger than life – like his massive works – Berlioz was a seminal figure in the Romantic movement and his book is both a personal testament and an account of his role in that movement. It tells the story of his romance with Harriet Smithson –with whom he fell in love when he saw her playing the part of Ophelia – and his even more passionate affairs with Shakespeare, Scott and Byron • Familiar with all the great figures of the age – Liszt, Wagner, Balzac, Delacroix, Weber, Rossini – Berlioz paints brilliant and often mordant portraits of them in a style which is one of the glories of French prose

We begin - at the turn of the century, in an unnamed South American country - in the childhood home of the woman who will be the mother and grandmother of the clan, Clara del Valle. A warm-hearted, hypersensitive girl, Clara has distinguished herself from an early age with her telepathic abilities - she can read fortunes, make objects move as if they had lives of their own, and predict the future. Following the mysterious death of her sister, the fabled Rosa the Beautiful, Clara has been mute for nine years, resisting all attempts to make her speak. When she breaks her silence, it is to announce that she will be married soon • Her husband-to-be is Esteban Trueba, a stern, willful man, given to fits of rage and haunted by a profound loneliness

Described by F. R. Leavis as one of the two most brilliant novels in the language, The Portrait of a Lady marks the evolution of Henry James from talented American writer to world-class novelist. The ‘lady’ of the title is Isabel Archer, a beautiful, intelligent and headstrong American heiress embarked on a treacherous journey to self-knowledge amid the ravishingly rendered landscapes of England and Italy. But it is the characters she encounters who make the story so masterly: the good Lord Warburton and the evil Gilbert Osmond, between whom she hesitates, her candid American friends, and above all the witch-like Madame Merle with whom she does battle for her soul. All are magnificently drawn, and none more so than Isabel herself, who belongs with Madame Bovary and Anna Karenina among the supreme creations of European fiction

On the day of his wedding, Edmond Dantes, master mariner, is arrested in Marseille on trumped-up charges and spirited away to the cellars of the Chateau d'If, an impregnable sea fortress in which he is imprisoned indefinitely. Escaping from the chateau by a series of daring manoeuvres, he unearths a great treasure on the island of Monte Cristo, buried there by a former fellow prisoner who bequeaths to him the secret of its whereabouts. Thus armed with unimaginable wealth and embittered by his long imprisonment, he resolves to devote his life to tracking down and punishing those responsible • This classic nineteenth-century translation has been revised and updated by Peter Washington, with an introduction by award-winning novelist Umberto Eco