Robinson St Petersburg. A Traveller's Reader

Two cities with real Tsar Power, Moscow and St. Petersburg are the odd couple of Russia: one, the heart of the nation and home to the history-rich Kremlin, where rulers from Ivan the Terrible to Lenin have left their mark; the other, a city born of the passion of its founder, Peter the Great, and today a gigantic Faberge egg stuffed with great art, sunset-colored palaces, and lollipop-striped cathedrals. As more travelers than ever are making their own voyages by cruising the Volga river, which connects Moscow and St. Petersburg, Fodor's Moscow and St. Petersburg also details many of the splendors of the connecting Golden Ring area. With its crew of local experts, this guide tracks Russia as it continues to trade in red star for four star. The pendulum has swung from sceptre to sickle and back again to sceptre---with a vengeance

Fragile, gritty, and vital to an extraordinary degree, St. Petersburg is one of the world's most alluring cities-a place in which the past is at once ubiquitous and inescapably controversial. Yet outsiders are far more familiar with the city's pre-1917 and Second World War history than with its recent past. In this beautifully illustrated and highly original book, Catriona Kelly shows how creative engagement with the past has always been fundamental to St. Petersburg's residents. Weaving together oral history, personal observation, literary and artistic texts, journalism, and archival materials, she traces the at times paradoxical feelings of anxiety and pride that were inspired by living in the city, both when it was socialist Leningrad, and now

Faberge: Treasures of Imperial Russia. Faberge Museum, St. Petersburg is a lavish volume on the most complete Faberge collection in the world, with many pieces rarely seen before, from the famous imperial Easter eggs to precious jewelry, enamels, and Russian silver, showcased in the sumptuous Shuvalov Palace in St. Petersburg, Russia • Jeweler and goldsmith Carl Faberge and his firm are renowned for creating the most superbly refined objects of the late nineteenth and early twentieth centuries for the nobility and aristocracy of imperial Russia. Exquisite examples of the jeweler’s art, Faberge’s magnificent Easter eggs, commissioned for the Romanov Imperial family, and other impeccably crafted objects continue to be prized the world over for their incredible craftsmanship and unparalleled beauty

Карточная колода «Russian Tarot of St. Petersburg» основана на русском народном фольклоре, выполненном в необычной манере. Художник Юрий Шаков сохранил стилизацию лаковых изображений, «завернув» каждый рисунок в овал. на создание был получен от мистика Стюарта Каплана, но потребовалась более 2 лет, в течение который художник изучал символику Арканов. Примечательно, что завершить работу он так и не успел, по причине своей смерти. Продолжил её неизвестный иллюстратор, поэтому есть некоторые отличия в стиле рисовки арканов и жезлов, кубков и мечей с моментами. Но память его храниться в данных картах, которые пользуются достаточной популярностью среди толкователей будущего

Russia, 1910. Young Valentina Ivanova charms St Petersburg's aristocracy with her classic Russian beauty and her talent as a pianist. She scandalises society when she begins a romance with Jens Friis, a Danish engineer. He brings to her life a passion and an intimacy she has never known. Unbending in their opposition, her parents push her into a loveless engagement with a Russian count. Valentina struggles for independence and to protect her young sister from the tumult sweeping the city, as Russia is bound for rebellion. The Tsar, the Duma and the Bolsheviks are at each other's throats. Valentina is forced to make a choice that changes her life for ever

In 1907 Edward VII commissioned Peter Carl Faberge - court artist-jeweller to imperial Russia - to produce miniature sculptures of animals on the royal estate at Sandringham. Designed to please Queen Alexandra, the project was suggested by the king's mistress Alice Keppel (the Duchess of Cornwall's great grandmother). The best craftsmen were sent to Norfolk to make wax models which were then taken to Russia to be rendered in hardstones, gemstones, gold, silver and platinum as directed by Faberge himself • Faberge's most ambitious venture in England showed the naturalistic genius of his workshops in St Petersburg and Moscow. It also crowned his career of patronage by the two Danish princesses, Alix and Dagmar, who married British and Russian princes and later became queen-empresses of rival empires

With Sophie still missing in action after their explosive mission in Paris, Lil decides to take matters into her own hands. On a new mission for the Secret Service Bureau, can Lil find Sophie in misty, mysterious St Petersburg? • Can they uncover the identity of their true enemy and can they trust anyone - even the Bureau? • It's time for Sophie and Lil to put their spy skills to the test

The 'Porcelain by Saint Petersburg Private Factories' exhibition presents circa 400 articles that were produced by the prominent Factory of Philip Batenin and the Kornilov Brothers' Factory, from the Russian Museum collection • In the Russian Museum the Batenin's porcelain is presented by the most various and first-rate articles: from numerous cups, decorative vases and services to things for washing and figured jugs. Cups and gift mugs were the special matter of this factory. On the exhibition as well as in the museum's collection this is the biggest group of items that are extremely diverse in form and picturesque decoration. Luxurious golden vases and services with typical bunches of flower and garlands, as well as the architecture views of Saint-Petersburg were the visiting cards of the factory

Founded in 1147, Moscow was for much of it's early history in thrall to other nations - to the Khans, the Tartars and the Poles. The city was devastated by fire time and again, but with each rebuilding, it grew ever more magnificent. For every church that was destroyed, it seemed that two more were built • In this evocative and fascinating anthology, Moscow's turbulent growth is recorded through the voices of visitors and residents: Peter the Great's bloody reprisals after the revolt of the streltsy in 1698; a visit to the city's brothels by medical students in the 1890s; Kutuzov abandoning Moscow to Napoleon in 1812, and Napoleon's ignominious retreat from the burning city; Pushkin railing against the mindlessness of 1830 society; the flowering of literary greatness in the ninenteenth century and of the Moscow Art Theatre in the twentieth; and the dazzling profusion of jewels in the Treasury of the Kremlin

Медный всадник. Рисунок на передней панели. Материал: латунь. Цвет: черный. Габаритные размеры: 3,6x5,6x1,2см

Храм Спаса-на-Крови. Рисунок на передней панели. Материал: латунь. Цвет: серебристый. Отделка: хромирование. Габаритные размеры: 3,6x5,6x1,2см